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It's Tommy Cooper!

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Thank

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you.

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Oh, I must say, you've been a wonderful
audience.

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And in conclusion... Look at that.

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Shakespeare.

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Got to get that in there.

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That in there.

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My little boy loves this.

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And I love kids. I went to school with
them.

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He came towards me the other day with
his arms out like that and he walked

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slowly towards me. Dead, dead, dead,
dead. It was marvellous.

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He's only 50.

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I'll

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tell

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you what, ladies and gentlemen, we've
got a brilliant show for you tonight. I

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mean, a brilliant show.

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I will say it's one of the best.

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And I'll tell you one word of lie. Get
struck down here in this very spot.

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And after he's opened his paper bag, I'm
going to produce a live pigeon.

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I always get that bag too hard.

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A little boy goes into a fish shop.

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And he says, I want six penny worth of
whale meat.

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And Mummy said, would you put the head
in for the cat?

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I shall not make this bouquet of flowers
disappear in front of your very eyes.

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I've got my teeth in.

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And a man came up to me and said, have
you seen a policeman around here? I

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no, he's a stigma.

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Oh, dear, oh, dear.

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It's quite horrible.

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There's a tray.

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One glass, two glass, three glass, four
empty glasses.

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Four empty glasses.

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And a jug of water.

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I fill that there like that. Fill that
there like that.

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One tube there, one tube there.

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One tube there, one tube there.

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Do you know, I was only thinking the
other day, I was, and

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I walked past this garage and I said to
myself, isn't that marvellous?

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Wherever they put those petrol pumps,
they always find petrol underneath.

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Isn't it marvellous?

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One egg there, look.

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One egg there.

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And one egg there.

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One egg there.

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Now the idea of the trick is this.

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With my right hand...

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The tubes go over there, and the eggs...
They should go

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into the glasses, see? But it hasn't
worked yet, and I want to know the

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why.

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I mean, if one egg went in, it'd still
be a good trick, wouldn't it?

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I'll be honest.

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The water is in there.

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To break the fall of the eggs.

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Otherwise, they make plasma soup.

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And I ain't paid for it yet.

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I'd like to point out that you are in
direct line of fire.

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Did you hear that joke?

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A judge, you see, and he said to this
man, he said, this is the worst case

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ever heard in my life. Dreadful case.

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He said, I've been sitting away for 99
years.

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He said, I can't do that. I'm 65.

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He said, well, do so much as you can.

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Three prisoners.

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Three convicts in a cell, see?

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And one convict said, he said, do you
know, he said, I must be the oldest

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convict here. The oldest one.

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He said, I came here by tram car.

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They brought me here by tram car. The
old tram car.

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And the other convict said, he said,
well, I don't know about that.

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He said, they brought me here by horse
and cart.

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And an old wizened man in the corner
said, what's a horse?

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He said, I'd like to point out, if one
or two of the eggs fly out,

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if they do fly out, catch them like
that, see?

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Not like that, because it goes all over.

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All right, ready?

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One, two, three. Here we go then.

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And this week we take a look at some of
the people who work for the government

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as we say, so you want to be a public
servant.

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Certainly. Leave him out in the rain.

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I arrest you for murder.

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And anything you say may be taken down
and used as evidence.

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I arrest

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you for murder.

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Excuse me.

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Am I right for Westminster?

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Definitely. Good morning, sir. Good
morning.

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Have you read this?

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No, I haven't.

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I read it on the train.

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Have you been abroad, sir? Yes, I have.

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Have you got any of these?

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Probably enough. Yes, I have a lot of
shoes.

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Well, where is it?

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All a good time. First, I must play you
something.

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Forceps, nurse.

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Forceps, doctor.

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What's all this you're made of?

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It's a recorded delivery.

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And now our outside broadcast cameras
take you over to the lion house at a zoo

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somewhere in London.

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All right, come on, out of it.

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Come on, out of it.

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You won't come out.

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Is he tame? Who?

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The lion.

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The lion, tame?

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Yeah. He's vicious.

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Is he really? Absolutely. The worst lion
we've ever had, I tell you that. The

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worst lion.

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I'm telling you.

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Vicious.

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Still, I suppose there's a knack in
handling him, eh?

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Oh, yeah, it's like that.

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You've got to make sure that you don't
look nervous in front of them. I see,

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yeah. Because once they see you nervous
and afraid, they're on you just like

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that. Well, I never.

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Another thing.

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Never go near them when they're hungry.

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I see.

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Because that's when they get savage.

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It's all right when they've been fed.

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It's all right then.

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Then they go to sleep. You can do
anything you like with them. Oh, that's

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interesting. Oh, yes.

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And another thing. Don't turn your back
on them.

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What, not even when they're asleep?

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Especially when they're asleep.

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Especially.

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Because the slightest noise...

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See? They get you like that, see?

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I frightened myself a bit there.

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I'll remember that.

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Yeah, well, it's important, isn't it?
Oh, it is. Very important.

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Come on, out of it.

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Out of it. He doesn't seem to want to
come out.

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Well, he's scared, isn't he?

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Scared? Sure he's scared.

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Well, what's he scared of? Oh, lions.

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Lions? Yeah, well, you know, just now
when I went, like that.

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I'll frighten the life out of him.

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He's in there quivering.

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Quivering like a leaf he is. Oh, I see.
He's frightened of other lions.

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What other lions?

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Any other lions.

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Well, there's no other lions here.

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As a matter of fact, there's no lion
here at all.

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Well, who's that you're talking to then?

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Oh, the head keeper.

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Where's the lion?

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What? He escaped.

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He escaped?

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Yeah, about half an hour ago.

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That's what we're doing in here, you
see.

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Well, he could be in the zoo. He could
be anywhere.

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Let me in there with you. Come on, let
me in. Can't do it.

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Only staff will let him in.

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Come on, let me in. Only staff.

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What am I supposed to do?

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Just don't turn your back on him, that's
all.

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You can't come in.

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What about if I see the lion?

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If you see the lion, it's no good. Just
don't turn your back on him. Well, is he

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hungry? Of course he's hungry. He's
starving.

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Oh, now, come on, let me in, please. Let
me in. You can't. It's against rules

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and regulations. Oh, never mind the
rules. Regulators, let me in.

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Don't shout at me.

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You can't come in here.

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I mean, they hate keepers, don't they?
I'll get a sack.

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That's him. Yeah, that's him. That's
him.

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That's him, all right.

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Yeah, that's him.

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Don't forget.

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Don't turn your back. Don't turn your
back on him.

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All right, you come out now.

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I don't think he's hungry anymore.

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And now it's interview time, and in our
studio this evening, we're very proud

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and privileged to have with us the
noblest Roman of them all. Ladies and

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00:14:06,260 --> 00:14:08,180
gentlemen, it's Julius Caesar.

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00:14:22,240 --> 00:14:24,460
Here's a little quiz, a little quiz.
Look, what am I doing?

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I don't know. Pressing on my laurels.

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I'm ready for bed.

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Oh, good evening.

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00:14:37,260 --> 00:14:41,280
Now, let's start with your early life.
Tell me, did your parents see any early

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signs of your future greatness?

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Well, it's funny you ask me that.

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Because, you know, I... Do you know what
my mother said when she first saw me?

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Well, good heavens, how could I?

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That's the exact words.

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00:14:54,420 --> 00:14:57,420
Sorry, I don't find... Thank you. I
don't find that... The boy stood on the

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early deck.

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When all the rest had fled.

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The idiot.

194
00:15:05,480 --> 00:15:08,420
Now, in 55 BC, you invaded Britain.

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00:15:08,740 --> 00:15:11,360
What is your most vivid memory of that
first invasion?

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00:15:11,780 --> 00:15:15,700
When I came ashore, I saw something on
the bottom of a foothill. What? Feet.

197
00:15:17,280 --> 00:15:22,460
Another unforgettable day in your life
must have been March the 15th, 44 BC.

198
00:15:23,300 --> 00:15:24,099
Oh, yes.

199
00:15:24,100 --> 00:15:25,100
What happened then?

200
00:15:25,880 --> 00:15:28,200
Well, Brutus and his fellow conspirators
stabbed you to death.

201
00:15:28,440 --> 00:15:29,940
No, no, that's wrong. You're wrong.
You're wrong.

202
00:15:30,580 --> 00:15:33,040
Well, if you didn't die that way, how
did you die? They drowned me in a bath.

203
00:15:34,120 --> 00:15:36,260
That's what they did. And they put these
knives in to make it look like an

204
00:15:36,260 --> 00:15:37,260
accident. Aye, sir.

205
00:15:40,640 --> 00:15:45,220
Tell us, what did you think of Brutus?

206
00:15:46,300 --> 00:15:47,300
Very strange fellow.

207
00:15:48,100 --> 00:15:49,560
Very strange man. Very strange.

208
00:15:49,920 --> 00:15:52,740
He used to have laurel leaves on his
head. Well, every Roman used to have

209
00:15:52,740 --> 00:15:54,140
leaves on his head. What, growing there?

210
00:15:56,080 --> 00:16:00,920
Your full name is Gaius Julius Caesar,
which was also your grandfather's name.

211
00:16:00,980 --> 00:16:02,680
Can you tell us, why were you named
after your grandfather?

212
00:16:03,000 --> 00:16:04,000
Well, he was born before me.

213
00:16:06,160 --> 00:16:09,720
Of course, your leadership during the
Gallic Wars was masterly. You conquered

214
00:16:09,720 --> 00:16:12,100
your way through Germany, you conquered
your way through Aquitania, and you

215
00:16:12,100 --> 00:16:13,780
conquered your way through Britain. Why
did you stop?

216
00:16:14,260 --> 00:16:15,260
I ran in a conference.

217
00:16:16,680 --> 00:16:18,100
And, uh... Which one?

218
00:16:20,440 --> 00:16:22,400
Oh, how we danced.

219
00:16:23,160 --> 00:16:24,400
On the night that we went.

220
00:16:25,540 --> 00:16:30,420
We danced and we danced.

221
00:16:30,780 --> 00:16:32,000
Because the room had no bed.

222
00:16:50,920 --> 00:16:52,120
Victories, did you enjoy most?

223
00:16:52,540 --> 00:16:53,540
Yes.

224
00:16:57,040 --> 00:17:00,680
Well, thank you very much for coming
along and giving us some of your songs.

225
00:17:00,980 --> 00:17:03,480
It's been very interesting meeting you.
Just a minute, just a minute. You

226
00:17:03,480 --> 00:17:06,440
haven't asked me about Cleopatra. I'm
sorry, we haven't got time for any of

227
00:17:06,440 --> 00:17:07,560
now. That's what she used to say.

228
00:17:08,640 --> 00:17:11,200
Thank you very much for coming along
this evening. Oh, just a minute.

229
00:17:12,099 --> 00:17:14,099
Have you seen this goblet?

230
00:17:14,560 --> 00:17:15,560
No, I haven't. What's that?

231
00:17:15,720 --> 00:17:18,240
Well, as a matter of fact, this was
handed down by my great -great

232
00:17:18,400 --> 00:17:20,180
I see. He's never left our family.
Never.

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00:17:20,760 --> 00:17:23,619
And he said to me, you can hand it down
to your grandchild.

234
00:17:23,819 --> 00:17:26,880
And he'd go right down, keep going down
all the time. I see. See, like that, all

235
00:17:26,880 --> 00:17:27,439
the way down.

236
00:17:27,440 --> 00:17:30,320
And he said, always drink from this
side, never that side. Always this side

237
00:17:30,320 --> 00:17:31,320
never that side. I see.

238
00:17:31,560 --> 00:17:33,800
Always this side and never that side.
Why can't you drink from the other side?

239
00:17:33,940 --> 00:17:35,280
Well, if you do that, you'll spill all
over your bleach.

240
00:17:36,760 --> 00:17:37,900
Thank you and good night.

241
00:17:38,500 --> 00:17:39,500
Hello.

242
00:17:49,640 --> 00:17:51,840
pleasure it is for you to see me here
tonight.

243
00:17:52,700 --> 00:17:58,620
I'm going to appear with my dear, dear
friend, the adorable Pinky Cooper.

244
00:17:59,140 --> 00:18:04,760
What can I say about him? In the Master
of Ballantry, he was masterly. In

245
00:18:04,760 --> 00:18:06,400
Heavens Above, he was heavenly.

246
00:18:06,740 --> 00:18:10,500
And in Captain Blood, he was quite
wonderful.

247
00:18:11,260 --> 00:18:15,620
And yet, Pinky has one great quality,
humility.

248
00:18:16,420 --> 00:18:21,640
In fact, tonight, You will see him give
one of the most humiliating performances

249
00:18:21,640 --> 00:18:23,000
in the history of the theater.

250
00:18:23,940 --> 00:18:30,640
And there he is, tinkling away on his
piano, my co -star

251
00:18:30,640 --> 00:18:33,060
and dear, dear friend.

252
00:18:36,040 --> 00:18:38,220
Someday I'll find you.

253
00:18:40,060 --> 00:18:41,200
Dear, dear.

254
00:18:42,120 --> 00:18:45,520
Tonight we appear in Blythe Encounter.

255
00:18:46,120 --> 00:18:48,400
Oh, dear, dear, Sir Noel Coward.

256
00:18:52,180 --> 00:18:53,180
Ah, of course, hot today.

257
00:18:56,060 --> 00:18:56,799
That's better.

258
00:18:56,800 --> 00:18:57,800
Cooler in the shade.

259
00:19:02,340 --> 00:19:04,060
Who put this in the white paper basket?

260
00:19:04,400 --> 00:19:05,400
Oh, Mum's 98.

261
00:19:06,340 --> 00:19:07,420
Doesn't look a day over an 80.

262
00:19:08,740 --> 00:19:10,120
Mum's 98 is a good year for champagne.

263
00:19:10,440 --> 00:19:11,440
Very good year.

264
00:19:11,960 --> 00:19:13,140
It's a good year for corks as well.

265
00:19:18,670 --> 00:19:20,390
I've heard of dry champagne for the
Sicilian.

266
00:19:22,830 --> 00:19:24,970
Ah, what a fantastic flat.

267
00:19:25,490 --> 00:19:26,630
What luxury.

268
00:19:33,970 --> 00:19:35,410
Who could that be at the door?

269
00:19:36,950 --> 00:19:37,950
Come in.

270
00:19:38,970 --> 00:19:40,450
Darling. Samantha.

271
00:19:41,030 --> 00:19:41,949
You go.

272
00:19:41,950 --> 00:19:43,190
Samantha. You go.

273
00:19:43,390 --> 00:19:44,870
Samantha. You go.

274
00:19:45,770 --> 00:19:47,710
I don't know what she's talking about.
My name's Bert.

275
00:19:49,030 --> 00:19:50,250
Dear Hugo.

276
00:19:50,770 --> 00:19:52,150
Did I hurt you? No.

277
00:19:53,630 --> 00:19:57,990
You'll realise it's been three long,
long years.

278
00:19:58,570 --> 00:19:59,570
You've changed.

279
00:19:59,990 --> 00:20:01,010
Well, I've had a bath as well.

280
00:20:02,530 --> 00:20:06,290
It would have come sooner, but I've been
with my aunts on a yachting cruise.

281
00:20:06,830 --> 00:20:08,770
Cows? Oh, you know them.

282
00:20:10,290 --> 00:20:13,810
Where have you been these last
terrifyingly lonely years?

283
00:20:14,550 --> 00:20:15,550
Well, I've been out east.

284
00:20:15,690 --> 00:20:17,010
Where? Whitechapel.

285
00:20:18,450 --> 00:20:24,890
Hugo, I was in Montparnasse the other
day and the memories came to me like...

286
00:20:24,890 --> 00:20:31,730
I still remember the day when I walked
down the rue de Pompidou and

287
00:20:31,730 --> 00:20:34,950
heard the sound of your piano coming
from an upstairs window.

288
00:20:35,670 --> 00:20:36,670
Well, it missed you, did it?

289
00:20:39,070 --> 00:20:40,070
Oh,

290
00:20:41,670 --> 00:20:44,750
my darling, you're just the same.

291
00:20:49,350 --> 00:20:51,830
the way your nose crinkles up when you
smile.

292
00:20:52,270 --> 00:20:56,430
And then when you stop smiling, I love
the way you just hang.

293
00:21:00,370 --> 00:21:04,010
My darling, I need you.

294
00:21:04,410 --> 00:21:06,390
I can't live without you.

295
00:21:09,350 --> 00:21:10,890
Let's start all over again.

296
00:21:11,170 --> 00:21:12,570
There's no one in the world like me, you
mean.

297
00:21:12,830 --> 00:21:14,950
There's no one else in the world but
you.

298
00:21:15,660 --> 00:21:17,460
Well, there must be. I've been bumping
into people all day.

299
00:21:18,620 --> 00:21:21,400
Hugo, let's start all over again.

300
00:21:21,620 --> 00:21:22,620
Start all over again?

301
00:21:23,440 --> 00:21:26,400
Yes, then you take it. No, no, you take
it. No, you take it. No, you take it.

302
00:21:26,500 --> 00:21:28,560
How can you be so cruel?

303
00:21:29,020 --> 00:21:30,120
Where's your heart?

304
00:21:30,420 --> 00:21:31,980
Well, straight down the throat, first on
the left.

305
00:21:33,560 --> 00:21:37,280
Hugo, I can't bear the thought of never
seeing you again.

306
00:21:37,740 --> 00:21:38,820
Never mind, Samantha.

307
00:21:41,060 --> 00:21:42,060
Because...

308
00:21:44,300 --> 00:21:50,240
I'll see you again whenever spring
breaks

309
00:21:50,240 --> 00:21:52,800
through again.

310
00:21:53,380 --> 00:22:00,380
Time may lie heavy between, but what has
been

311
00:22:00,380 --> 00:22:03,300
is past forgetting.

312
00:22:19,639 --> 00:22:21,620
I hope she's been faithful while I've
been away.

313
00:22:26,560 --> 00:22:29,700
Samantha! You swore you would never make
love to another man.

314
00:22:29,900 --> 00:22:32,280
Yes, but you must admit I've been
cutting, darling.

315
00:22:36,280 --> 00:22:37,660
Samantha, this isn't it.

316
00:22:37,900 --> 00:22:38,900
But why?

317
00:22:38,960 --> 00:22:40,820
Why? Because my feet are killing me.

318
00:22:43,980 --> 00:22:46,280
How can you forget all we've shared,
Hugo?

319
00:22:47,340 --> 00:22:49,400
That was no good. I'm sorry. I'm sorry.

320
00:22:49,800 --> 00:22:50,900
What is that dance?

321
00:22:51,700 --> 00:22:52,699
That song.

322
00:22:52,700 --> 00:22:53,700
Our song.

323
00:22:53,980 --> 00:22:56,920
That tender, haunting melody.

324
00:22:57,460 --> 00:22:58,880
Our love song.

325
00:22:59,240 --> 00:23:01,220
How did it go? You must remember.

326
00:23:01,780 --> 00:23:02,780
What song?

327
00:23:03,340 --> 00:23:04,460
How did it go?

328
00:23:05,980 --> 00:23:10,960
Knees up, mother, brah. Knees up,
mother, brah. Knees up, knees up. Never

329
00:23:10,960 --> 00:23:12,840
the knees up. Knees up, mother, brah.

330
00:23:23,980 --> 00:23:26,340
died? Was it because you found me weak?

331
00:23:26,660 --> 00:23:32,320
Was it because years between quenched
your pain?

332
00:23:34,700 --> 00:23:37,060
There was that song.

333
00:24:05,420 --> 00:24:06,420
Oh!

